Death of Sardanapalus
After fussing over what to read next, this afternoon I started reading Ben Jonson's Volpone from a recent compilation entitled Seven Masterpieces of Jacobean Drama edited by Frank Kermode. The book contains a trove of other, major and minor, English Renaissance plays: Thomas Heywood's A Woman Killed With Kindness, Cyril Tourneur's The Revenger Tragedy, Francis Beaumont and John Fletcher's The Maid's Tragedy, Thomas Middleton's A Chaste Maid in Cheapside, John Webster's The Duchess of Malfi and Thomas Middleton and William Rowley's The Changeling.
Having read briefly up until Act 2, Scene 1, the play seems, so far, cleverly and masterfully plotted. A better play to read, and dramatize in the imagination, than the previous, annoying Jonson play I had to read: Poetaster.
Having read briefly up until Act 2, Scene 1, the play seems, so far, cleverly and masterfully plotted. A better play to read, and dramatize in the imagination, than the previous, annoying Jonson play I had to read: Poetaster.
4 Comments:
Sounds like an excellent edition, considering Kermode's in charge. The Changeling, of course, is excellent, but it's The Duchess of Malfi of which I'm quite fond. (Can one be "fond" of anything by Webster? Hmmm.) It's a play I've wanted to teach for a long time, and it has some moments of great effect, several of which are centered around the word "still." There was a recent production of it in TO, but the reviews of it were scathing.
Jonson, for all his technical mastery, still strikes me as a heavy-handed bore. Your mention of Volpone reminds of one of my many usually-forgotten literary theories, that Graham Greene's late novella Dr Fischer of Geneva, or The Bomb Party (worth a read) is in fact a revision of Volpone. Something to consider, perhaps, if you're looking for something to read after Jonson?
There is a production of Webster's The Duchess of Malfi at the Stratford Festival this season, directed by Peter Hinton.
The website is here.
If I remember the stories from studying Shakespeare, Jonson was reputed to be a self-absorbed, university-educated snob in his day.
As a matter of fact, there are a number of days where tickets are discounted for The Duchess of Malfi in July. The best seats are a meagre $53 rather than $106, which is very tempting.
Oh, Lord no: Lucy Peacock as the Duchess? She was genuinely horrible in Plummer's Lear a few years ago, and I can't see her in the slightest as the Duchess. Wentworth as Bosola I can almost wrap my already-warped mind around; but Peacock?!? **shudder**
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