Death of Sardanapalus
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Having read briefly up until Act 2, Scene 1, the play seems, so far, cleverly and masterfully plotted. A better play to read, and dramatize in the imagination, than the previous, annoying Jonson play I had to read: Poetaster.
"But I haven't lost the demons' craft and cunning: I've inherited
from them some useful things, but they won't be used for their benefit!"
--Robert de Boron, Merlin
4 Comments:
Sounds like an excellent edition, considering Kermode's in charge. The Changeling, of course, is excellent, but it's The Duchess of Malfi of which I'm quite fond. (Can one be "fond" of anything by Webster? Hmmm.) It's a play I've wanted to teach for a long time, and it has some moments of great effect, several of which are centered around the word "still." There was a recent production of it in TO, but the reviews of it were scathing.
Jonson, for all his technical mastery, still strikes me as a heavy-handed bore. Your mention of Volpone reminds of one of my many usually-forgotten literary theories, that Graham Greene's late novella Dr Fischer of Geneva, or The Bomb Party (worth a read) is in fact a revision of Volpone. Something to consider, perhaps, if you're looking for something to read after Jonson?
There is a production of Webster's The Duchess of Malfi at the Stratford Festival this season, directed by Peter Hinton.
The website is here.
If I remember the stories from studying Shakespeare, Jonson was reputed to be a self-absorbed, university-educated snob in his day.
As a matter of fact, there are a number of days where tickets are discounted for The Duchess of Malfi in July. The best seats are a meagre $53 rather than $106, which is very tempting.
Oh, Lord no: Lucy Peacock as the Duchess? She was genuinely horrible in Plummer's Lear a few years ago, and I can't see her in the slightest as the Duchess. Wentworth as Bosola I can almost wrap my already-warped mind around; but Peacock?!? **shudder**
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